Clear Present Danger

Nascimento Lovera. 2002. Venezuela. 2’


Infiltrating videoclubs.The Zulú and Clear and Present Danger trailers are part of Nascimento/Lovera's edits-inserts video project. By inserting their re-edited versions of commercial films in rental video chain stores, inter-city buses, public television and the black market, they are able to anonymously maximise the distribution of their work, while also questioning the symbolic mechanisms of power which are no longer located in traditional centres of cultural production, but spread throughout everywhere.