Janice Tanaka
1980.
United States of America.
vo English.
5’
Because subliminal inculturation is not always consciously recognized, Tanaka strives for her work to incorporate a primary visceral effect with an analytical statement reflecting the multiplicity of a particular experience and observation. Accordingly, in Beaver Valley more personal black and white footage contrasts sharply with slick media images of Marilyn Monroe and designer jeans; the myth of woman is returned for a refund. 3 Mostra de Vídeo Independent de Barcelona 1996.
http://www.vtape.org/video?vi=2054&_wpnonce=ab6f48fbb7