Painter, sculptress, video artist.

The artist’s work is characterized by an intermediary attitude that has been defined since the nineties in particular in electronic moving images. Regardless of the medium and the techniques used, only apparently distant from each other, Adriana Amodei immediately focused on a research that aims to investigate introspective recesses beyond the pure evidence of the combination of elements; willing to share this process of knowledge through beauty as rigorous as it is admittedly non-rational along “a desire for an evident symbolic” (Marco Maria Gazzano 1996) and to make it a shared practice in the interpretation of the world.